CamelotBook and Lyrics by Alan Jay Lerner
Music by Frederick Lowe -Book adapted by David Lee |
Human Race Theatre Company
Director: Emily Wells Costume Designer: Molly Walz Lighting Designer: Diane Ferry Williams Sound Designer: Kaitlyn Barnett Proctor photos by William Peake |
"The adage goes, if you do something simple, you have to do it well. Both are true in this production. Scenic Designer Charlie Calvert makes use of a revolve (aka a revolving stage) that offers versatility and movement for the actors on stage. A set of three benches comprises most of the playing space and are used for a myriad of reasons to shift time, space, and setting. A very clever use of the revolve happens in act one to simulate a jousting tournament that is both clever and silly all at the same time. The upstage set pieces create depth and offer arches and alcoves that transform throughout the play to create different locations and rooms.
A stellar production team including Mackenzie Perin as technical director, Diane Ferry Williams as lighting designer, Kaitlin Barnett Proctor as sound designer, Sarah Gomes as properties designer, and Molly Walz as costume director, creates a simple but highly effective experience with nods to celtic imagery and creates the essence of Stonehenge."
-Willie Caldwell, League of Cincinnati Theatres
A stellar production team including Mackenzie Perin as technical director, Diane Ferry Williams as lighting designer, Kaitlin Barnett Proctor as sound designer, Sarah Gomes as properties designer, and Molly Walz as costume director, creates a simple but highly effective experience with nods to celtic imagery and creates the essence of Stonehenge."
-Willie Caldwell, League of Cincinnati Theatres
Production photos
Selected Process Material
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